Character Spotlight: Ade Simmons (Hiding Behind The Couch)

Another CV / character profile from the Hiding Behind The Couch series.

Profiles posted so far:

Hiding Behind The Couch is an ongoing series about a group of friends—‘The Circle’ (the original main characters in the series), which has expanded and changed over time to include the ‘extended circle’ (additional main characters, below the circle on the right).

It’s Ade’s turn today, who—in my head—looks a bit like the Daz3D image above (if you squint). Images used in these character spotlights (this one included) which aren’t from book covers / Daz3D are from Pixabay. Ade’s first appearance isn’t until Season Three (The Harder They Fall) and only then from other characters’ perspectives.

You can find both the writing and suggested reading order for the series on this page:

Ade Simmons
Name: Ade (Adrian) Simmons
Eyes: Hazel
Hair: Copper red
Complexion: Fair and freckly
Height: 5' 8"
Weight: 11 stone?
Build: fairly slim
Tattoos/Piercings: None.
Education: Drama academy - Acting, direction and production.
Accent: Northwest English / Manchester.
Languages: English

Quickfire Questions:
Place of Birth: Manchester, England.
Siblings: Julia (older sister).
Children: None.
Places lived: London, Birmingham, Manchester, Northwest England.
Jobs: Stage actor, radio producer, tour manager, TV actor.
Interests: Reading, writing, live performance.
Pets: Casper (by 'marriage').
Greatest Success: Leaving Fergus.
Worst thing you've ever done to someone: Worry friends/family.
Biggest Trauma: Fergus.
Do you have a secret: No.
Favourite Book: The Shadow of the Wind (Carlos Ruiz Zafón).
Favourite Food: Pasta.
Favourite Drink: G and T.
Strength: Quick-thinking.
Weakness: Easily persuaded.
Best way to spend a weekend: Lie-in, followed by a walk, visit mum and Jules, go out on the town. Pass out on Sunday.
Closest Friends: Pip, Shaunna.
Love of your life: Kris (and what could have been with Ferg).

And here are some excerpts featuring Ade. They’re quite long, because…he talks a lot.
Note: all excerpts will be spoilers for anyone who hasn’t read up to Season Three.

Crying in the Rain

(Setting: the cafeteria of the radio station where Ade works as a producer; with Kris.)

Conscious of Kris’s continued attention, Ade took out his tablet, checking his watch as he did so; almost time to go back to the studio and get the room set up for rehearsing and sound checks. OK, what else do I need to do?

3. Tell Kris about the thing

Kris sipped absently at his coffee, his gaze unfocused, making it impossible for Ade to know whether he was paying him any attention. He looked up, his eyes meeting Ade’s, and smiled. Ade attempted a smile back.

“I need to tell you about the thing.”

“The thing?”

“Err, yes. The thing—my thing.”

“OK?” Kris sat back and folded his arms, his expression one of bemusement.

“I always tell new people, well, not always. I don’t bother if I’m just buying a coffee in a new café, but…” Ade stopped rambling and just said it. “I have a speech impediment.”

“You do?”

“Yes.” He watched Kris’s facial expressions change, as he worked through their conversation, searching for evidence, followed by a doubtful frown.

“I didn’t notice,” Kris said.

“No. You wouldn’t, because I’m careful with how I speak. It only affects one letter. Well, not the letter, the sound.”

“Hmm.” Kris’s brow furrowed thoughtfully. “Can I try and work it out?”

Ade shrugged, finding it kind of funny, whilst also appreciating Kris’s efforts to put him at ease by making light of it.

Kris bit his lip, studying the ceiling as he replayed what Ade had said so far. “OK. It’s not ‘S’, because you’ve just said ‘sound’, and it was perfect. ‘Th’? No—you pronounced ‘thing’ correctly too. ‘R’?”

“That’s the one.”

“That must be so hard to avoid.”

“Not usually. However, when faced with communicating what I need to an actor whose name contains the much-feared letter…”

“Ah. Sorry,” Kris said, feeling terribly guilty when he had no part in choosing his given name. “If it’s easier, you can call me K, or KJ, or even Mr. Johansson.”

Ade smiled. “Thanks, but I have to get it over with sooner or later. It’s just a little less of a nightmare doing it this way. And now I can see you analysing what I say.”

Kris blushed. “Sorry.”

“I don’t mind, but so you’ve heard me say it, let’s start again.” Ade held out his hand for it to be shaken. Kris accepted. Looking him right in the eyes, Ade said, “Hi, Kris, I’m Adrian Simmons. I’m the producer.” Kris held the eye contact—no trace of reaction to the soft pronunciation of the ‘R’, just a heart-warming smile and a glint of something more.

“Hello, Ade. I’m very pleased to make your acquaintance.”

“The feeling is mutual. I need to go and start setting up. I’ll see you in there.” Ade rose to his feet. Kris did too.

“I’ll come with you, and on the way you can tell me how you came to be working in radio production.”


(Setting: walking to work, with BFE Pip.)

“Where did you stay last night?” she asked, trying to pass off her nosiness as concern. Ade hummed secretively. Pip gasped. “Were you with him?”

“Who?” Ade asked innocently.

“That guy from Monday morning?”


“No way. What’s his name? Is he an actor? What did you do? Did you get up to anything—”

“Kris, yes, went for a meal, and no.”

“Oh.” Pip looked dead ahead, her chubby cheeks colouring up, and wobbling slightly with each step. She looked sideways at Ade and grinned. He, too, was blushing. “Are you seeing him again?” she asked.

“Yes. I think so. I hope so.” And he really did. Pip squeezed his arm with hers, until he squeaked.

“He seems nice,” she said.

“He is. And so’s his wife.”

Pip stopped walking and looked at him in mock horror, hoping he was just saying it to wind her up. Now she wasn’t so sure. His mouth twitched as he fought the smile. “You’re serious,” she said. Ade nodded. “He’s married. To a woman? Ade…”

Ade started laughing and hooked her by the arm. They set off again, and Ade explained properly about Kris and Shaunna being separated, and Casper, and Kris’s stepdaughter, and his shellfish allergy, and so on, chattering away the entire ten-minute walk to the studio. They parted company at the fourth floor, with Ade promising to call as soon as he heard from Kris, and to keep Pip posted on the arrangements for later. Ade was dreading it, but for the first time ever, he believed he had the strength to see it through. A few hours from now, Fergus would be out of his life, for good.


In The Stars Part II

(Setting: a secluded bar in London.)

Ade watched Kris all the way to the bar. He was still in love with her, so why had he come? No, that was too cruel a way to think, because he liked Shaunna. She had been an incredible friend, and sharing the house had been almost too perfect. They liked the same music, the same TV programmes and films, drank way too much tea. Then there was Casper. He missed him, too. And Krissi. And the thing was, he’d have shared Kris with Shaunna—with them all—if he’d been allowed to do that much.

Kris returned with their drinks.


And the coolness. That was back also.

“So what was that dog people thing?”

“Oh. Josh said it. When we walked the dogs together the Saturday we got snapped, he picked up on how genuine dog owners are.”

“Chicken or egg.”

“What do you mean?”

“Do open, honest people choose dogs as pets, or do dogs make them that way?”

“I’ve no idea. I’m just an actor with no brains.”

“I hope you’re joking.”

“I’m not. I love intelligent people, but I’m not one of them. Shaunna is. Josh is. George is, and you. Shaunna’s going to uni in September, to study psychology.”

“Is she?”

“She made friends with this psychologist guy. That’s all she’s gone on about ever since.”

“And you’re not bothered? That she’s friends with a guy?”

“Nope. I trust her. If there was anything going on, she’d tell me.”

“Are you sure about that?”

“Absolutely. But did you ask me here for me to talk about Shaunna all night?”

“Honestly, Kris, I don’t care what we talk about, as long as you’re here. Like I said, I’ve missed you.”

“I’m sorry, Ade. You were right. I did push you away, and I kept you away from my friends.”

“Yes, you did. I thought it was me, that I couldn’t figure out what they wanted from me, if there was some kind of hazing I had to go through to be accepted.”

“You only needed to be who you are. It was me who kept you out.”


(Setting: a TV studio.)

“OK, Lundberg conference scene,” the director called, “That’s scene—” he checked his script “—fourteen. Who the f*ck numbered this? Look.” He stormed over to one of the writers; there were now four of them, and the Shadows creator was executive producer, along with her husband, Barry the director. To say they didn’t much like each other was something of an understatement. Barry slammed the script down in the poor writer’s lap, knowing she was little more than a typewriting monkey, doing his wife’s bidding. “Eleven, twelve, fourteen. What the hell’s happened to thirteen?”

“There isn’t one, Barry.”

“Why not?”

“Bad luck.”

“F*cking bad luck?” He went stomping back the way he had come. “OK, folks, so that’s the scene formerly known as fourteen, which is actually scene thirteen.”

Kris cringed. “That’s going to upset a few people. She’s very superstitious. You should’ve seen her freak when I walked under a ladder back in the early days. Now I know better.”

Ade laughed. “Hey, you never know. You might have a new director by Monday!”

Kris rolled his eyes. “Yeah, unlikely.” He gave Ade a kiss. “We’ll talk later,” he promised sincerely and then slipped straight back into role. “Now, if you’ll excuse me, Mr. Simmons, I’ve got to brief my team on a couple of matters.” He winked and walked back on set. Ade watched him all the way, and sat down again. Someone nudged him from behind. It was one of the runners from reception.

“Have they just started?” she whispered. Ade nodded. “Will you let Kristian know there’s some people downstairs for him. They say they’re friends of his? Said to tell him they’re not twins.”

Ade grinned. “OK. I’ll let him know,” he whispered. The woman started to walk away. “Actually,” he said, “I’ll come with you.”


Two By Two

(Setting: an on-location recording of a TV drama/Ade and Kris’s home.)

Jan gave the order to cut and advanced on Kris and Ade, her breathing shallow from excitement.

“Oh my god,” she gushed. “I’m tingling all over. That was incredible. The energy between you two, and that pause, Ade―it’s not even in the script, but it’s just perfect. Will you play the part, Ade? Please?”

“Jan, I don’t feel comfortable―”

“Please. If it’s your speech thing, we can always rewrite around it, but I really can’t see anyone else in that role, not even Caleb, and I’d thought he was ‘the one’, but now I’ve seen the best. Will you think about it?”

Ade studied the ceiling. Kris was watching him carefully, sensing that he wanted to say no outright, but didn’t want to let the team down, and as Jan said, his performance was perfect, with a charge of energy, real emotion. Ade Simmons, whether he liked it or not, was an incredibly talented actor.

They continued with the rest of the day’s filming schedule, and with Ade in role there were no additional takes, other than one due to poor lighting. He didn’t fluff lines, or get the giggles, and he was so intense that he drew the other actors right into the mood of the scene. By the end of the day he was exhausted, but they’d got down a couple of scenes from the schedule for the next day, and agreed to start a little later.

At home, things were tense. Kris didn’t share his thoughts with Ade, knowing the last thing Ade wanted to hear was how amazing he was, and so they barely spoke at all. They went to bed early and were up early the next morning. Kris walked Casper; Ade made breakfast and then they travelled together to the school, once again getting through the filming in record time. On-camera, Ade was whatever he needed to be; off-camera his despondency was increasing by the minute and he wasn’t ignoring Kris and Jan, but he wasn’t speaking to them either. They still had nobody else to play Dale Hanrihan, and soon it would be too late. There wouldn’t be enough time to re-film with the new actor in role.

The third day of filming came and went; Ade headed straight upstairs and ran the bath. Kris walked and fed the dog, and then sat on the edge of the bath, watching Ade pretending to read a book.

“What do you want to do?”



(Setting: Christmas Day at Barbara and Len’s house; Barbara is giving Ade the grand tour.)

“And this is the master—” at the sound of footsteps in the atrium below, Barbara dropped her voice to a whisper “—bedroom.” She beckoned to Ade to follow her inside, watching over the banister as she closed the door. Krissi and Kris left the dining room. There was still a coolness between them, but less so than in the kitchen earlier.

Before Barbara could ask, not that she was planning to, regardless of how much she wanted to know what was going on, Ade smiled apologetically and said, “It’s not my place to share.”

“I don’t expect you to, lovey, but I hope whatever it is doesn’t get in the way of us enjoying Christmas together.”

“It won’t,” Ade assured her. “Kris respects you. I’d even go as far as to say he loves you. You’re his second mum.”

“I’m very fond of him, too, and it’s lovely to see him happy at last. Well, I imagine he was happy with Shaunna…” Barbara pursed her lips before she said something she ought not.

Ade made a point of looking around the room they were in. “That window lets in a lot of light, doesn’t it?”

“Yes, it does, especially considering the time of year. The rest of the house is a little on the dark side, mind you.”

Ade nodded, still facing the other way. “Did Andy crush on her as badly when he was young?”

“Oh, he was shocking,” Barbara admitted with a certain amount of relief. For a minute, she’d been worried she’d offended Ade, but judging by his sweet smile, it wasn’t so. “Between you, me and that bedpost, he had crushes on so many girls I couldn’t keep up, but all the rest came and went. There was always something special about Shaunna.” Her mind cast back to the nights she’d spent listening to whichever son slamming doors, enduring their obstreperous remarks until she could take it no more, which was normally around the same point they’d crack and pour out their soul. “It’s horrible being a mother sometimes,” she said. “Teenaged girls know how to break a boy’s heart.”

“Teenaged boys do a fairly thorough job of it, too,” Ade said ruefully.

“There speaks the voice of experience.” Barbara patted his arm. “Of my three, Andrew was the worst. He always fell so hard, and Shaunna…well, she broke his heart more than once.”

Beneath them, the doorbell chimed and the front door opened with a creak worthy of a horror movie. Barbara cringed. “Remind me to put a drop of oil on those hinges, will you?”


Thanks for reading! :)
Deb x


  1. Okay, trying again on this one too. I'm sorry I didn't comment sooner. I think you post these right around when I'm heading to rehearsal, so I usually read them while I wait to start. My phone is a pain for commenting, but then I forget to come back later. :P

    Anyway...I'd say Ade's a saint for putting up with Kris, but I think I'm over my dislike of Kris, mostly. I think they're good together.

  2. Hmm. I should try posting earlier...or maybe that's the perfect time filler? :) Thank you for reading and commenting - especially when you had to fight so hard!

    Ade's definitely a saint. ;)

    1. No, it's good. Gives me something to do while I wait. I'm usually early because I have to drop one or the other kid off somewhere on the way. I just have to remember to come back and comment! LOL.

      Yeah, I think we can go with Ade being a saint. :)


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